Jill Galvan, assistant professor of English
July 14, 2010
Jill Galvan is an assistant professor of English who specializes in Victorian and turn-of-the-century literature and culture. She is the author of The Sympathetic Medium: Feminine Channeling, the Occult and Communication Technologies, 1859-1919.
What are your five favorite books and why?
Villette by Charlotte Brontë
I’m drawn to rich character studies, along with unusual narrative points of view, and the protagonist Lucy Snowe is a classic unreliable narrator. Then there’s her wryness; there are moments of her narration that make me laugh out loud. For a long time, I preferred this one to Brontë’s Jane Eyre. But I still have to work to get my students to appreciate Villette as much as I do.
Middlemarch by George Eliot
Eliot is a master of character psychology, and I find her perspective on humanity dead-on. It’s amazing how well she understands sympathy as the basis of morality, but also the many difficulties of sympathy — and how she can manage to build a great story around those heady ideas. With its long, intricate plot that you can easily sink your teeth into, this is just the type of novel that drew me to the Victorian period.
Lolita by Vladimir Nabokov
More unreliable narration, wonderfully executed. The last paragraphs of the novel give me chills — they’re that masterfully ambiguous. Now that I have kids especially, I find Humbert Humbert difficult to stomach sometimes, but I’ll keep coming back to this novel because it’s that good.
The Sound and the Fury by William Faulkner
I love the way the novel dances around Caddy as its center, but only ever lets you just glance at her. That structure exactly, movingly captures what she means in the other characters’ lives.
A High Wind in Jamaica by Richard Hughes
While I might not call it a favorite, it is a great book I only discovered recently — a kind of lost modernist work. It’s an interesting deconstruction of the idea of childhood innocence.
Booktalk highlights the literary opinions of faculty and staff at Ohio State. To nominate a colleague for a future Booktalk, e-mail Julia Harris at harris.587@osu.edu.
Tanya Erzen, Comparative Studies
April 7, 2010
What are faith-based prisons?
Twenty-one states have or are developing faith dormitories and programs, and Florida has created four faith- and character-based institutions that are the only entirely multi-religious state prisons in the country. Faith-based prisons and prison programs operate under the logic that religious prisons will transform prisoners from criminals to law-abiding citizens. Their mandate is that individual responsibility and transformation are the solution to high rates of incarceration. They view crime as a sin — a moral problem rather than a product of economics, racism and tough-on-crime policies. The idea of faith-based incarceration is part of a broader national trend toward therapeutic and individual solutions to social issues like drug addiction, welfare and imprisonment that emerged with the White House office of Faith-Based and Community Initiatives under the Bush administration.
Why are states and the federal government
interested in faith-based prisons?
We’re living in a time period in which punishment rather than rehabilitation is the norm in US prisons, and the US leads the world in both number and percentage of people it incarcerates. Meanwhile, state governments spend nearly $50 billion a year on prisons. Given the budget crises many states now face, activists, prison officials and politicians are looking for solutions other than simply locking more people up: De-carceration (like the de-institutionalization of the mentally ill in the 1980s), new sentencing laws and movements for the abolition of the prison altogether.
Many of these strategies are politically unpopular, so the states have turned to faith-based prisons as a way to save money by outsourcing to religious volunteers and groups. Many states now contend these faith-based programs are a solution to overcrowding and recidivism. They argue that religion transforms individuals, therefore, we should build more prisons that volunteers and private religious companies can run cheaply. One example of this trend is happening in Oklahoma, where the state tentatively agreed to build a 600-bed prison in Wakita that would be run by Corrections Concepts, a non-profit Christian ministry, and would have only Christian classes and programs. They plan to hire an all-Christian staff and talk about the prison as a “mission field.”
What are the implications for the separation of church and state?
This issue was exemplified when Americans United for the Separation of Church and State sued Prison Fellowship Ministry for running an entire wing of an Iowa state prison as an evangelical program. The program required participants to become born-again Christians. Prison Fellowship Ministry was ordered to pay back the state millions of dollars. The Florida faith- and character-based prisons are careful to emphasize that everything is volunteer, all religious groups are respected and secular programming is written into the program. But coercion and surveillance happen in all kinds of ways — faith-based prisons and programs provide better living conditions, work-release assignments, job training and favor with the parole board. In Florida, individual chaplains oversee faith-based programs and volunteers rather than a central office that could monitor religious diversity and instances of proselytizing.
I’ve talked to many people in prison who claim that religion transformed their lives, but at the same time, faith-based imprisonment also raises disturbing issues of coercion, power and authority in US prisons.
Stephen Hall, history
February 3, 2010
Stephen Hall is a historian with broad interests in American, European, African American, Caribbean and African history. He has taught courses in all of these areas over the past ten years. He is the recent author of A Faithful Account of the Race: African American Historical Writing in Nineteenth Century America (Chapel Hill: University of North Carolina Press, 2009). It appears in the John Hope Franklin Series in African American History and Culture.
What are your five favorite books and why?
• W.E.B. DuBois, Souls of Black Folk
DuBois’ Souls is a classic work in American and African American literature. The book, published in 1903, consists of a series of previously published essays that convey the complex social, political, ideological and theological concerns confronting African Americans and Americans, in general, in the late-nineteenth and early twentieth century. Viewed primarily as a endorsement of black civil rights, especially when juxtaposed with Booker T. Washington’s Up From Slavery, DuBois’ work is more profitably read as celebration of the complex manifestations of black humanity in a moment framed by the contested realities of modernity.
• Zora Neale Hurston, Their Eyes Were Watching God
In my estimation, Their Eyes Were Watching God is one of the greatest love stories in the English language. I first encountered the book in a college English course. Zora Neale Hurston, who studied under Franz Boas, the well-known anthropologist, spent a considerable portion of her life traveling throughout the South collecting black folklore. The heroine in the novel, Janie Crawford, is a paragon of modern womanhood. She is assertive, goal driven and incredibly resilient. The book’s power emanates not only from the power of Janie’s personality, but Hurston’s gifts as a storyteller as she sketches out her story on the rich cultural canvas of the American South. The book, written completely in southern dialect, tells the story of Janie and her journey through love and life, especially her relationship with Tea Cake. Although not a tragedy, this story rivals that of Romeo and Juliet while possessing all of the complexity found in the Letters of Abelard and Heloise. Eyes is a powerful and poignant novel of human possibility and the ability to continue to have faith in humanity even when those whom you care about severely disappoint you.
• Ralph Ellison, Invisible Man
I first read Invisible Man as a senior in high school. Winner of the National Book Award, the first book by a black author to achieve this honor, Ellison’s book evokes the complex meanings of race. Invisible Man is the story of a young protagonist’s journey from visibility to invisibility. Ellison uses the protagonist’s journey to discuss the evolution of African American identity during the first half of the twentieth century. For me, what’s interesting about the book is the way Ellison uses the specifics of African American cultural and historical experience to illuminate the broader dynamics of the human experience. The novel combines history and fiction in a seamless manner providing a rich template for social and cultural dialogue.
•James Baldwin, Go Tell It on the Mountain
James Baldwin is probably one of the best novelists and writer of critical essays. Go Tell it on the Mountain is a coming of age story that focuses on the Grimes family, a working-class black family, who are recent migrants to the North from the South. The story is told as a series of three prayers with a concluding fourth chapter. The story power emanates from Baldwin’s skillful reconstruction of the complex interpersonal relationships between the main characters, John, Gabriel and Florence. Their lives and struggles are emblematic of so many migrants who participated in the Great Migration, the movement of large number of African Americans from the rural South to the urban North, Midwest and West during the first half of the twentieth century. Baldwin’s work is masterful in his reconstruction of the role of religion in the lives of these characters. I, too, can identify with these characters because my parents, the children of sharecroppers, migrated North from North Carolina to Maryland in search of a better life.
• CLR James, The Black Jacobins
The political, social and cultural critic C.L.R. James offers a novelistic account of the Haitian Revolution (1791-1804). After successfully defeating three modern European armies, Haiti, in 1804, became the first black republic in the Western hemisphere. James is a masterful writer who recreates the lives and the realities faced by important leaders such as Toussaint L’Ouverture, Dessalines, Rigaud and Christophe. He sets their actions against the broader backdrop of revolutionary movements such as the American and French Revolutions. Although several very good studies have been written, such as Carolyn Frick, The Making of the Haitian Revolution ; Thomas Ott’s The Haitian Revolution and most recently. Laurent DuBois’ Avengers of the New World, James’ Black Jacobins still remains the best introduction to the dynamics of the Haitian Revolution.
What is the last book you’ve bought?
I regularly purchase books of all types, but the most recent purchase is Mary Frances Berry’s My Face is Black is True: Callie House and the Struggle for Ex-Slave Reparations. The book tells the story of a little-known ex-slave and washerwoman, Callie House, who organized one of the earliest grassroots movements to secure reparations for formerly enslaved African Americans. While it is commonly believed that the struggle for reparations is a product of the civil rights and black power era, Berry demonstrates that this was not the case. House led the National Ex-Slave Mutual Relief Bounty Pension Association. At its height the organization’s membership numbered more than 300,000. Berry’s work is a wonderful example of history’s relevance and importance in uncovering little known or understood events and occurrences.
What’s your “guilty pleasure” – a book you love but don’t often talk about because it’s not “serious” literature?
Can I cheat here? The work that interests me combines elements of history and science fiction in creative ways. I have an active interest in science fiction. I am interested in classic work from H.G. Wells’ War of the Worlds to Edward Bellamy’s Looking Backward to Ray Bradbury’s Fahrenheit 451. Several years ago, while working at the Schomburg Center in New York, I heard a talk by Octavia Butler, the author of Kindred, shortly before her death, Her talk was absolutely brilliant. Butler’s discussion of her early interest in reading and imaginative recreations of various worlds and ideas reminded me of my own childhood. I spent considerable amounts of time daydreaming and imagining fanciful and whimsical things. She also talked, rather poignantly, about her marginalization because of her interests in science fiction and the false perception in the mainstream and among African Americans that her race and gender disqualified her from writing about or delving into these types of subjects. Nonetheless, she persevered and her work has won recognition in the form of Hugo and Nebula awards.
What is also interesting about Kindred, at least for me, is the fact that Butler conducted much of the research for the novel at the Enoch Pratt Library, which is the main library in Baltimore City, Maryland, provided me with a tangible connection to her work. I grew up in Baltimore County, Maryland, and I am actually quite familiar with the Enoch Pratt library. I visited the library many times with my parents and later as a teenager and young adult in college. Moreover, much of the story occurs on the Eastern shore of Maryland. Members of my family actually lived in this part of the state, so this too was quite familiar to me. Kindred focuses on Dana, an African American woman in an interracial marriage, who is transported from the present to the Eastern Shore of Maryland in 1824. There she is forced to confront the institution of slavery and her complex relationship with a white ancestor.
I am also a fan of Butler’s Wildseed, which, like Kindred, takes place in several different geographic locations and centuries including Africa (in the 17th century); New York (in the 18th century); and Louisiana (in the 19th century). The plot of the novel utilizes a broad set of cultural symbols from the African cultural context and focuses on the relationship between Anyanwu, a shape shifter, and Doro, a mindforce. Both of these characters are involved in trying to construct a new race. I think Butler is absolutely masterful in exploring and centralizing issues of race, class and gender in her work. In many ways, this book combines my interest in sci-fi with my historical interests, especially my work in African American history.
What book would you most want your kids to read? What would you want them NOT to read?
The Odyssey by Homer. I am especially enamored of the translation by Robert Fagles. The Fagles translation is one of the most accessible that I have read. This epic narrative poem , first conceived in oral form, is a classic of Western civilization. More importantly, it tells an epic story of human striving in the face of seemingly impossible odds: Odysseus’ ten year journey to return to his family in the aftermath of the Trojan War. Anyone who has a family can appreciate the deep desire and longing to return to its warmth after a long journey. In every sense, Odysseus is everyman and woman in this regard. Luckily, several years ago, I had the pleasure of reading it again with my eldest son. It was a sheer delight. I hope to share it soon with my other three children,
There are no books I would restrict that come readily to mind. I believe books can and should edify the soul and thus they are as essential to our intellectual nourishment and growth.
What genre of literature do you prefer to read (history, fiction, biography, etc…) and why?
I am actually interested in several different forms. I cannot restrict myself to one genre. I think historical work is complimented by historical fiction. Some of the best history is written in novelistic form. I often use historical novels in my classes because they prove more accessible to students than standard historical accounts. Some of my favorite historical novels are:
- 1959 by Thulani Davis
- The Death of Artemio Cruz by Carlos Fuentes
- The Agony and the Ecstasy by Irving Stone
- The Dew Breakers by Edwidge Danticat
- The Red Badge of Courage by Stephen Crane
What books have helped you most in your academic career?
I think one of the most influential books for me is David Levering Lewis’ W.E.B. DuBois: Biography of a Race, 1868-1920. I am a big fan of Lewis’ work, especially his early work of Alfred Dreyfus and his masterful work on African history, Race to Fashoda. I was an undergraduate student when I first met David Lewis. He came to my college to recruit students for graduate school. He was actually working in the final stages of completing the manuscript and beginning work on the second volume. His description of his trips to Russia and Ghana, where DuBois died on the eve of the March on Washington in 1962, left me awestruck. This book stands out for me because it was published in 1993, my first year of doctoral study. I literally read the book every day for two weeks. It is, in my estimation, a model for how to teach, and write about historical events. Lewis’ biography uses the life of W.E.B. DuBois to provide us with a panoramic view of African American, European and American history between 1868 and 1920. In this sense, then, the book sketches out broad vistas through which we can appreciate the complexity and dynamism of African American history. We are forced to question our preconceptions and perceptions of what this history means, especially when situated in relationship to other national and transnational histories. Unfortunately, as I’ve recently discovered, this is not a quality that is appreciated or even expected in this particular subfield of American history, but I remain deeply committed to this cosmopolitan approach. In terms of writing, the book has an incredibly novelistic feel to it, yet it embodies the very best of academic writing through its rigor and stubborn logic.
One of the many interesting chapters in the book is “The Perpetual Dilemma.” It discusses, among other things, the effort by Lieutenant Colonel Charles Young, a West Point graduate, and, at the time, the highest ranking African American officer in the U.S. Army , to prove his fitness for continued service and promotion on the eve of U.S. entry into World War I. Although questions lingered about his stamina and his high blood pressure, many felt he would become the first black general in the U.S armed forces. Instead, he was promoted to full colonel and officially retired. Determined not to go quietly or meekly, he proves his stamina and fitness for service by riding on horseback from his National Guard command in Chillicothe, Ohio to Washington, D.C. I am one who can certainly appreciate the need to constantly believe in yourself despite misguided or unfair attempts by others to mislabel and misrepresent your work and contributions, even by those who should know better.
What are some of your favorite Web sites?
c-span.org- This is probably the most comprehensive site for staying abreast of developments in American politics.
npr.org - An excellent news source. I am a big fan of podcasts. I also like rebroadcasts of “Fresh Air” by Terry Gross. She interviews some of the most interesting people. “All Things Considered,” the main news show in the afternoon, is also useful.
Booktalk is a regular column that celebrates the literary likes and dislikes of Ohio State faculty and staff. To nominate someone for a future column, e-mail Julia Harris at harris.587@osu.edu.
Alexander Thompson
June 3, 2009
Alexander Thompson is an assistant professor of Political Science. His book Channels of Power was published in 2009. Continue reading ‘Alexander Thompson’
Gordon Gee
April 9, 2009

President Gordon Gee
What are your five favorite books and why?
As a young man, I was absorbed with Shakespeare and Homer and all of the usual suspects. But to answer your question, I will stick with five contemporary authors. Continue reading ‘Gordon Gee’
Steven Fink
March 19, 2009
Steven Fink is an associate professor of English and the author of Prophet in the Marketplace: Thoreau’s Development as a Professional Writer. Continue reading ‘Steven Fink’
Jason Gray
March 5, 2009
Jason Gray is the journals manager at Ohio State University Press and author of Photographing Eden (Ohio University Press, 2008), winner of the Hollis Summers Prize. Continue reading ‘Jason Gray’
Elizabeth Weiser
February 19, 2009
Elizabeth Weiser is an associate professor in the Department of English. She has written extensively on the rhetoric of Kenneth Burke, and her book, Burke, War, Words: Rhetoricizing Dramatism, was published in November. Continue reading ‘Elizabeth Weiser’
Tanya Erzen
February 5, 2009
Tanya Erzen is an associate professor in the Department of Comparative Studies. Her book, Straight to Jesus: Sexual and Christian Conversions in the Ex-Gay Movement, received the 2008 Gustave Arlt award from the Council of Graduate Schools. Continue reading ‘Tanya Erzen’
Amy Shuman
January 22, 2009
Amy Shuman is a professor in the Department of Englsh and the Department of Anthropology. She is author of many articles and recipient of a Guggehneim Fellowship. Continue reading ‘Amy Shuman’




Peter Mansoor, Department of History 

